Margherita Artoni

With Back Again, at White Cube Bermondsey, Georg Baselitz returns once more to his own history.

The exhibition by Lisa Yuskavage at David Zwirner unfolds within a stabilized field of painterly recognition. New collages, chromatic systems, and recursive studio compositions mark a practice that has shifted from aesthetic instability toward institutional consolidation. The work now operates at the center of a system that once derived its force from friction.

Contemporary pictorial practice no longer operates within the logic of representation, but within systems of circulation in which visibility precedes experience.

Contemporary artistic experience is defined less by the production of form than by the regulation of appearance. Art no longer unfolds within stable frameworks of recognition, but within environments where visibility is continuously produced, filtered, and redistributed.