Savannah Marie Harris explores the inner world of memory, fantasy, and spirituality through abstract paintings that bring together nuanced colors, light, and textures. Her layered canvases transform personal experiences into shifting compositions where gestures, material, and fragments of color evoke worlds between the tangible and the imagined. Through processes of accumulation and dissolution, she creates surfaces that hold traces of experience while remaining open to change.
A 19th-century oleograph looted from Poland’s historic Wilanów Palace in Warsaw during World War II is back in the palace museum’s collection, nearly 80 years after it disappeared.
Charleston has announced the discovery of a previously unknown drawing of Vanessa Bell by her lifelong friend, artistic collaborator, companion and sometime lover Duncan Grant, believed to be the final portrait he made of her, at the very end of her life.
Daisy Parris’s paintings emerge from a tension between language and abstraction,
immediacy and reflection, gesture and structure. Colour, fragments of text, collage and vigorous painterly marks coexist on the canvas, creating images whose emotional intensity resists a single interpretation. Words enter the paintings as traces of memory, thought and lived experience, while colour acquires a psychological force that exceeds any fixed vocabulary of emotions.
China has claimed a dominant position in global cultural tourism, securing 12 of the top 20 spots in the latest annual ranking of the world’s most-visited museums released by the Themed Entertainment Association (TEA).
The sixth edition of Skulptur Projekte Münster will take place from 13 June to 3 October 2027, once again inviting visitors to experience art in the public space.
Legislation would create Italy's first formal process to return art and cultural propoerty looted under Fascist and Nazi persecution.
ArtDependence is accepting portfolio submissions from artists seeking international publication and exposure.
In an age saturated by images, Pam Evelyn’s paintings propose a different experience of
looking: physical, prolonged and deeply attentive to the life of the surface. Her expansive
canvases emerge through dense accumulations of oil, where colour, gesture, erasure and
matter remain visibly entangled. Occupying an unstable territory between abstraction,
figuration and landscape, forms appear, dissolve and return.
The Medical Humanities paper published by the BMJ is the third in a series of papers led by Professor Paolo Pozzilli, in which he’s set out his research on the Renaissance aristocrat, Simonetta Vespucci, Sandro Botticelli’s muse, who died at just 23 from suspected tuberculosis.
I find that like me, many people like to begin by defining things. Not out of an obsession for labelling them, but in hope to understand them beyond what one may already know. If in luck, one may find some sort of clarity or even resolution to wonder.
A hair salon is organised around practical outcomes: hair is cut and styled, tools fulfil
specific purposes, and conversations accompany a familiar service.