What does it mean to paint the everyday when the everyday has already become art
history? In Prose, Louis Fratino’s first solo exhibition with David Zwirner in London, the
answer might seem straightforward: to take life as it is—rooms, bodies, sex, friends, family, subway cars, cafés, saunas—and return it to painting.

The Metropolitan Museum of Art announced that it will return a group of objects to the Hellenic Republic, as part of its ongoing efforts to review the ownership histories of objects in its collections.

In an age saturated by images, Marina Perez Simão’s paintings return to a slower and more attentive mode of seeing. Working across painting, watercolour, textiles and drawing, she develops a practice rooted in accumulation, intuition and the gradual emergence of images from experience.

Frida Escobedo Studio will lead the museum expansion, which will double its exhibition space; Eduardo Costantini is donating the Daros Latinamerica Collection, comprising 1,232 contemporary works, along with 17 masterpieces of Latin American modern art; and he is establishing the Malba Art Trust with an initial endowment of USD 50 million to secure the institution's continuity.

For two years, they inhabited the spaces – both physical and imaginary – of the Louvre. Each had a studio on the premises, where they created, conversed with museum personnel, and engaged with the public.

Walk through any online print shop and the word giclée sits on a listing priced at forty euros and on another priced at four thousand.

The Metropolitan Museum of Art announced an acquisition of 38 paintings by preeminent Chinese ink painter Chang Dai-chien (Zhang Daqian; 1899–1983) from the collection of the artist’s daughter, Sing Sheng Chang. 

Galleries and institutions across the UK have the chance to save Antico’s Seated Nymph for the nation, after the Government temporarily blocked it from leaving the country.

Manhattan District Attorney Alvin L. Bragg, Jr., announced the return of 147 antiquities totaling nearly $2.4 million to the people of Türkiye, Pakistan and Thailand.

There is a long history of doctoring photographs, routinely altered for political, ideological and personal reasons. Soviet-era retouching famously erased inconvenient figures from history, while countless family albums quietly omitted estranged relatives through scissors, cropping and careful selection.

Chinese artist Liu Wei (born 1972, Beijing) has transformed the niches of The Metropolitan Museum of Art’s iconic Fifth Avenue facade with a suite of new sculptures that confronts the constant state of shift in society. 

The third edition of the Islamic Arts Biennale will be led by an international curatorial team whose expertise spans Islamic arts, contemporary art, architecture, and transcultural histories.