A face carries the tension between personal identity and public perception. It invites
recognition while remaining vulnerable to projection, classification and desire.
The Art Basel and UBS Survey of Global Collecting 2026 reveals Gen Z’s growing influence as the highest-spending generation, while collectors increasingly turn to AI and digital tools for collecting advice.
The Van Gogh Museum and the Ministry of Education, Culture and Science have reached an agreement that will make it possible to finance the much-needed renovation of the museum building. The uncertainty over the museum’s future has now been resolved.
Tomma Abts, who was born in Kiel in 1967, is one of the defining figures in international contemporary painting. In her paintings and drawings, she explores the relationship between form, color, and pictorial space.
The Department of Citywide Administrative Services (DCAS), Brooklyn Museum, and the New York Power Authority (NYPA) announced a $48 million energy efficiency project at the museum.
Angel Otero conceives painting as a material capable of recording its own becoming.
Born in Santurce, Puerto Rico, in 1981, and now working between Puerto Rico and New
York, he has developed a practice in which memory, art history, and material
transformation are deeply intertwined.
2,161 cultural heritage sites and 2,665 cultural institutions in Ukraine had been damaged as of the end of September 2026, according to the Ministry of Culture.
Souraya Noujaim has been appointed director of Louvre Abu Dhabi, returning to the museum where she spent five years overseeing its curatorial and collections work.
As the Trump Administration prepares propaganda signage to adorn the Smithsonian’s National Museum of American History, Representative Jamie Raskin (MD-08) introduced legislation to ensure future generations learn about President Donald Trump’s commitment to censoring, whitewashing and fictionalizing American history.
A bronze cover for the book The Apocalypse of St. John by Salvador Dali, has been stolen from a private contemporary art center in France.
In Jonathan Lyndon Chase’s paintings, the body becomes a site of identity, intimacy, vulnerability, and transformation. Moving between figuration and abstraction, Chase creates visual worlds in which bodies, objects, and environments are inseparable, shaped by lived experience, everyday gestures, and community.
The Guggenheim Museum Bilbao and the Bilbao Fine Arts Museum have signed a partnership agreement to create and promote a joint ticket, which will provide admission to both museums at a lower price.