A 16th-century Flemish panel painting depicting The Virgin and Child with Saint Anne and Saint Joseph has been officially transferred to the Fine Arts Museum of La Coruña, Spain, joining its permanent collection.
The Smithsonian’s National Air and Space Museum is welcoming a Lockheed F-117 Nighthawk stealth fighter, the world’s first true operational stealth combat aircraft, into the national collection.
The Mauritshuis and the Rijksmuseum have jointly acquired Hendrick Avercamp’s Colf Players on the Ice, painted c. 1625.
In a recent post on Truth Social, Trump outlined a vision that includes bringing an 11-foot George Washington statue to the National Museum of American History's Flag Hall for dedication on Constitution Day, September 17, 2026.
The Holy Father inaugurated the first chapter of the exhibition cycle “Catastrophe and Wonder”, titled “AQVA”.
The UK government has temporarily blocked ‘The Resurrection of the Good and the Bad’ by Stanley Spencer, a painting considered pivotal in the development of British Modernism, from being taken out of the UK permanently.
Sedrick Chisom’s practice explores painting as a space where history, mythology, speculative imagination and visual memory converge.
Maurizio Cattelan returns to Berlin twenty years after co-curating the 4th Berlin Biennale. His return raises a question that has become increasingly difficult for his work to evade: what remains of irony once transgression has been fully absorbed by the institutions and markets it once unsettled?
Qatar Museums today announced the creation of Doha Pavilion:Gerhard Richter, a new permanent, site-specific structure conceived by the artist.
Türkiye Today reports that mosaic flooring and a sculpture of the head of Eros, the god of love, have been uncovered in the basilica in the ancient city of Pompeiopolis, located in northern Turkey’s Black Sea region.
Lonnie G. Bunch III, the 14th Secretary of the Smithsonian Institution, announced he will retire from his position, concluding nearly 38 years of service at the Smithsonian and a career that has shaped the museum field in the United States and beyond.
On the warm summer evening of June 29, 1994, Diana, Princess of Wales, made a showstopping arrival at Serpentine, one of London’s most famous art galleries, for a fundraising dinner hosted by Vanity Fair.