The Museum of Contemporary Art Australia unveiled Mushrooms, a major new temporary public artwork by internationally acclaimed artist Ai Weiwei for the Neil Balnaves Tallawoladah Lawn Commission series.
The J. Paul Getty Museum acquired the recently rediscovered 17th-century painting “Portrait of the Count-Duke of Olivares” by Spanish artist Diego Velázquez (1599-1660).
Germany's Bavarian State Painting Collections have handed over a painting by the artist Albert Lang, embezzled during the Nazi era, to the US-based heirs of banker's widow Sofie Heilbronner, who died in 1965.
Agreements secure TEFAF Maastricht at MECC Maastricht through 2036 and TEFAF New York at the Park Avenue Armory through 2031.
James Rondeau, President and Eloise W. Martin Director of the Art Institute of Chicago, announced that the museum is returning Jean Metzinger’s Woman with a Fan to the family of Jewish art collector Emanuel Lewenstein (1870–1930).
Henni Alftan (b. 1979, Helsinki) is a Paris-based painter whose work examines the relationship between painting and the image. Drawing from fragments of everyday experience, she constructs tightly framed scenes in which figures, objects and gestures acquire an intensity that exceeds their apparent simplicity.
The Mauritshuis museum in The Hague has decided to return the painting 'Fishermen by the Lakeshore' (1651) by the Dutch artist Jan van Goyen to the heirs of the renowned art dealer Jacques Goudstikker.
Manhattan District Attorney Alvin L. Bragg, Jr., announced the return of 15 antiquities collectively valued at nearly $3 million to Greece.
Large-scale reproductions of works by Van Gogh, Manet, Cézanne, Caillebotte, and Lawrence Alma-Tadema will appear at prominent locations across Paris this fall.
What does it mean to paint the everyday when the everyday has already become art
history? In Prose, Louis Fratino’s first solo exhibition with David Zwirner in London, the
answer might seem straightforward: to take life as it is—rooms, bodies, sex, friends, family, subway cars, cafés, saunas—and return it to painting.
The Metropolitan Museum of Art announced that it will return a group of objects to the Hellenic Republic, as part of its ongoing efforts to review the ownership histories of objects in its collections.
In an age saturated by images, Marina Perez Simão’s paintings return to a slower and more attentive mode of seeing. Working across painting, watercolour, textiles and drawing, she develops a practice rooted in accumulation, intuition and the gradual emergence of images from experience.