News

Rubaiya Qatar, a quadrennial opening next month in Doha, has announced the full list of artists participating in its first edition. The quadrennial will include over 120 artists across three exhibitions and public art installations.

Making cultural heritage increasingly accessible means allowing more people to know it, explore it, and build a personal relationship with art. The evolution of wearable technologies and artificial intelligence opens up new possibilities to make this experience more inclusive.

The Louvre "will eventually have to close its doors to the public" unless the French state steps in to finance a major overhaul, Louvre director Christophe Leribault told French newspaper Le Figaro.

Kandinsky’s Das bunte Leben sold for €31.9 Million at Christie’s following restitution to Lewenstein heirs.

The Allard Pierson Archaeology Museum in Amsterdam has voluntarily returned an ancient vase to Sicily on Wednesday after research raised questions about its provenance, according to Dutch broadcaster NOS.

A landscape painting by Vincent van Gogh, hidden from public view for more than half a century, will be going under the hammer this November at Sotheby’s in New York.

The icons depict the Evangelists Matthew and Mark and are Palaiologan works dating from the 14th century. They originate from the Byzantine Church of Panagia Phorviotissa at Asinou. The icons were unlawfully removed from their place of origin following the Turkish invasion of 1974.

The Two Brothers Tondo is a key Fayum portrait from the mid-2nd century AD, housed at the Egyptian Museum in Cairo. Italian conservators from Fabrica Conservazione e Restauro completed the restoration, preserving the painting and revealing its original details.

Tate Modern  unveiled a major new multisensory installation by artist and composer Tarek Atoui. 

Willem de Kooning at work will be on view from 9 October 2026 through 17 January 2027 and is developed in collaboration with the Art Institute of Chicago and The Willem de Kooning Foundation in New York.