Article date: Wednesday, June 6, 2018
The Language of Art: An Interview with Joseph Kosuth
A foremost pioneer in Conceptual and Installation art, Joseph Kosuth is well-noted for the language-based artworks and appropriation techniques defining his oeuvre since the 1960s. Throughout his career, Kosuth’s practice has centered on the role of language and meaning within art.
Article date: Tuesday, June 5, 2018
Dame Barbara Hepworth, Spiral
Modern & post-war British art Sotheby’s London showcasing spectacular works by Britain’s most pioneering artists from prestigious private collections.
Article date: Monday, June 4, 2018
Ida O’Keeffe: Escaping Georgia’s Shadow
The Dallas Museum of Art announced the first ever solo museum exhibition of works by Ida Ten Eyck O’Keeffe and the most comprehensive survey of the artist’s work to date. Ida O’Keeffe: Escaping Georgia’s Shadow will bring together approximately 40 paintings, watercolors, prints, and drawings for the first time.
Article date: Monday, June 4, 2018
Art of the Year - 1975
Feminist Art, Land Art and Photorealism also became increasingly prevalent during this era, largely due to evolutions in the broader social and political climates. The President, Fernando Botero, Portrait, 1975.
Article date: Thursday, May 31, 2018
Symbolism in Art: Jeff Koons’ Balloon Dogs
Jeff Koons’ reproduction balloon animals are amongst some of his most recognisable pieces. Usually rendered in a mirror-finished stainless steel in a variety of colours, the works reflect an element of childhood play and disposable culture but in a definitive, substantial form.
Article date: Monday, May 28, 2018
Art of the Year - 1974
Harold Wilson, Ruskin Spear, Oil on canvas, 1974 - Art of the Year
Article date: Tuesday, May 22, 2018
Warhol’s Interview Magazine Closes After 50 Years
Andy Warhol’s legendary fashion and art publication, Interview Magazine, will close its doors after 50 years as a beacon of New York pop and fashion culture. The magazine was founded by Warhol in 1969 and has been covering cutting edge lifestyle movements ever since.
Article date: Monday, May 21, 2018
Media Art in the Information Society: An Interview with Media Artists Christa Sommerer and Laurent Mignonneau
"We are media artists and professors of Interface Cultures at the University of Art and Design in Linz, Austria. We develop interactive art installations that allow participants to get involved in art works."
Article date: Monday, May 21, 2018
Art of the Year - 1973
The 1970’s art world showed the continued influence of movements from the 1960’s such as Minimalism, Post-Minimalism and Performance Art. The Red Ceiling, William Eggleston, Dye transfer print - Art of the Year - 1973.
Article date: Saturday, May 19, 2018
The Female Gaze – On Body, Love and Sex II
The format of the exhibition is small in comparison to the high ceilings and spacious rooms of the Haus, but yet compact as the Studio fit seven women artists with an overall of eight works.
Article date: Tuesday, May 15, 2018
Previously Undiscovered Rembrandt Painting Comes to Light
A previously unknown painting by Rembrandt has been discovered. The portrait, thought to date from around 1634, features a young man whose identity is unknown. It is possible that the image is one piece of a larger double portrait.
Article date: Monday, May 14, 2018
Art of the Year - 1972
The 1970’s art world showed the continued influence of movements from the 1960’s such as Minimalism, Post-Minimalism and Performance Art. Art of the Year - 1972 - Self Portrait Facing Death, Pablo Picasso.
Article date: Monday, May 14, 2018
Magic Realism - Art in Weimar Germany: 1919 - 1933
This summer, Tate Modern will explore the art of the Weimar Republic (1919-33) in a year-long, free display, drawing upon the rich holdings of The George Economou Collection.
Article date: Friday, May 11, 2018
Major Installation Joins New Works on Display Across Tate Modern This Summer
Tate Modern unveiled a large-scale animatronic installation in the Tanks, Colored sculpture by American artist Jordan Wolfson. The work features a menacing puppet over 7 feet tall, which is lifted, pulled, dragged and dropped to the floor by mechanised chains attached to each limb.
Article date: Thursday, May 10, 2018
Presidential Museums and Libraries: Special Focus on the George W. Bush Presidential Library and Museum
ArtDependence Magazine has collaborated with some of the most renowned Presidential Museums and Libraries in the United States to learn about how they conserve and collect artifacts and objects of historical and scientific importance for research and public presentation.
Article date: Tuesday, May 8, 2018
Bronzechain – The New Hallmark for Bronze with Blockchain Technology Unveiled
A pioneering hallmark for bronze sculpture, ‘Bronzechain’ has launched by DACS, in partnership with Verisart, the blockchain certification platform for the arts. The first bronze works to be hallmarked are by sculptor Maurice Blik, whose solo exhibition took place at Bowman Sculpture, London (13 April – 4 May 2018).
Article date: Monday, May 7, 2018
Diversity in the Arts: Why Are the Working Classes Still Underrepresented?
A new report, published in the UK on April 16th, claims that the working class are still dramatically under-represented in most areas of the arts including film, broadcast, publishing and performance.
Article date: Monday, May 7, 2018
Art of the Year - 1971
The 1970’s art world showed the continued influence of movements from the 1960’s such as Minimalism, Post-Minimalism and Performance Art. Art of the Year - 1971 - The Sphere, Fritz Koenig, Bronze sculpture.
Article date: Saturday, May 5, 2018
Symbolism in Art: Tracey Emin’s Beds
Contemporary English artist Tracey Emin (born 1963) is known for producing work that includes raw autobiography and elements of confession art. She uses a combination of found items, photography, film, sculpture and painting.
Article date: Thursday, May 3, 2018
Light & Memory: An Interview with John Zurier
John Zurier’s abstract, nearly monochrome paintings are spare in form and substantial in presence. The true beauty of the works lies in their subtlety. Zurier’s pieces quietly demand that one looks and looks again to see all that is there - past the uniform tones of backdrop, the creases of canvas, the intention of marks and gestures, then pans back to the whole of what is there - to really see it.
