Interviews

Interview with John Bulmer, a British Pioneer of Colour Photography: a Good Picture Needs to Grab You in the Gut
Article date: Thursday, December 3, 2020

Interview with John Bulmer, a British Pioneer of Colour Photography: a Good Picture Needs to Grab You in the Gut

'Perhaps it was the influence of Cartier-Bresson, but I’d always been attracted to pictures that included people in their environment. My work as a news photographer had probably encouraged me to go in closer and get to the heart of the matter'.

Interview with Belgian Artist Johan Gelper
Article date: Tuesday, December 1, 2020

Interview with Belgian Artist Johan Gelper

For Johan Gelper, drawing is a way of thinking, a way of giving physical dimensions to his ideas. The drawings are a study of organic growth and probe the boundary between 'intuitive' drawing and 'construction'.

Sven Eisenhut, Director of Photo Basel, On 2020 – The Year That Art Fairs Went Virtual
Article date: Wednesday, November 11, 2020

Sven Eisenhut, Director of Photo Basel, On 2020 – The Year That Art Fairs Went Virtual

"This time is tough for many of us on all levels – I just make sure to be as compliant as I can be with the rules set by the Swiss federal government. Within our team we try to do as much as possible over video conferences so that we can avoid public transportation".

The Aestheticized Interview with Nika Oblak & Primoz Novak (Slovenia)
Article date: Monday, October 5, 2020

The Aestheticized Interview with Nika Oblak & Primoz Novak (Slovenia)

Nika Oblak & Primoz Novak have been working collectively since 2003. In their art practice they examine contemporary media and capital driven society as they dissect its visual and linguistic structure.

Interview with Olga Karika – Medieval Symbolism as the Freedom of Thoughts
Article date: Wednesday, July 29, 2020

Interview with Olga Karika – Medieval Symbolism as the Freedom of Thoughts

"I find a lot of inspiration in the works by Old Masters, especially the European artists of the 16th and 17th Century. These works appear perfect for their time. Their value lies in their splendour and in a special mixture of symbols for the viewer. In order to emphasize and convey the idea of my paintings, I use symbols".

CUMEDIAE - Supporting Creativity In the Wake of the Global Pandemic
Article date: Tuesday, July 28, 2020

CUMEDIAE - Supporting Creativity In the Wake of the Global Pandemic

"The creative industries are special industries in that they exist between different worlds. Two worlds that need to communicate one with each other for any creative idea to be turned into a sustainable project: on the one side, the world of those with the passion of creativity; and on the other, the world of those with some knowledge about funding, management and the legal framework".

Galila’s Passion Obsession Collection in Brussels
Article date: Monday, July 27, 2020

Galila’s Passion Obsession Collection in Brussels

The exhibition on view at Galila’s P.O.C is called “Overdose”. Not only is the name a reference to the many artworks already present, it also hints to the everchanging nature of Galila’s P.O.C as it is the idea to keep adding more and more artworks. In fact, currently there is only one permanently integrated artwork; a beautiful staircase by Belgian designer Xavier Lust.

The Aestheticized Interview with Fatos Irwen (Turkey)
Article date: Monday, July 6, 2020

The Aestheticized Interview with Fatos Irwen (Turkey)

"I spent the last 3 years as prisoner in prison. My body was usurped. 3 years of my stay in prison was a performative experience for me from beginning to end. And I drew a picture like crazy. All my creative potential had been revealed".

Guillaume Piens, Director of Art Paris, on Cancelations, Changes and a New Date
Article date: Monday, June 29, 2020

Guillaume Piens, Director of Art Paris, on Cancelations, Changes and a New Date

"The past few months have been a rollercoaster for us. The fair was initially going to be held from 2-5 April and was postponed until 28-31 May, and then finally it had to be cancelled as the government banned all public gatherings until mid-July. We decided to go online with two initiatives - Art Paris Digital By Artsy and Art Paris Live".

Art in Corona Lockdown - Interview with Ferhat Özgür, Zagreb
Article date: Monday, June 22, 2020

Art in Corona Lockdown - Interview with Ferhat Özgür, Zagreb

"During the period of the lockdown I was unable to work in my workshop on a daily basis, like I used to, even though it is only a fifteen-minute walk away from home. Yet this did not prove to be an obstacle for me to continue working on various ideas. Preserving my belief that the virus cannot be superior to creativity, I tried to enrich the freedom of loneliness by staging a ‘one-man performance’ at home in order to negotiate the absurdness and surreal contingencies of photography".

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Image of the Day

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

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About ArtDependence

ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.

ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.

The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.

If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.