On 23 October, a ceremony was held at the Ministry of Culture and National Heritage in Warsaw to transfer historical documents related, among other subjects, to the Second World War, the Holocaust, and German Nazi concentration camps.
On Thursday, October 22, 2026, the Prix Marcel Duchamp jury met to select the winner of the 2026 edition from this year’s four nominees: Joël Andrianomearisoa, Brognon Rollin, Laura Henno and Josèfa Ntjam.
The ancient settlement of Tetelihtic in Puebla’s Sierra Norte was designed to watch the Sun, archaeologists now say, confirming the existence of a solar observatory more than 2,500 years old.
Nearly three decades after setting an auction record for Gustav Klimt, a rare masterwork is returning to the market. Painted during the artist’s summer visits to Lake Attersee between 1915 and 1916, Litzlbergkeller captures Klimt at his most contemplative.
The first exhibition ever to explore 500 years of British royal jewellery will open at The King’s Gallery, Buckingham Palace in June 2027. Royal Jewellery: From Coronations to Keepsakes will bring together more than 300 pieces of jewellery from the 16th century to the present day, around two thirds on display for the first time.
Art historian Rudi Fuchs (84) has passed away, as announced by his family to the Dutch newspaper Het Parool. He was considered one of the most influential art critics and museum directors in the Netherlands.
The Seoul Museum of Art (SeMA) has appointed Irini Papadimitriou as Artistic Director of the 14th Seoul Mediacity Biennale, scheduled to open in August 2027.
ArtDependence is accepting portfolio submissions from artists seeking international publication and exposure.
In a new series on ArtDependence Margherita Artoni examines what happens before a painting finds its form. Before an image takes shape, there is an intuition, a sensation, a memory, or an encounter with the world. There are questions without answers, ideas not yet fully understood, and possibilities that have not yet found their form. Painting begins in this uncertain territory, where looking becomes thinking and thinking gradually becomes a physical act.
Emma Masut's practice unfolds between drawing and painting, through images that take shape from impressions, associations and enduring interests.
The UK Government has placed a temporary export bar on the Scarthingwell battle-axe head, a rare survivor from prehistoric Britain, in the hope that a UK museum, gallery or institution can acquire it and secure it for public display.
“One way to subvert a hegemonic technology is to co-opt it,” David Salle declares. At
Thaddaeus Ropac Paris Pantin, The Venice Paintings explores the encounter between
artificial intelligence and the material intelligence of painting.