The Yayoi Kusama exhibition is completely sold out until the beginning of August. To accommodate the high demand, the museum now plans to offer extended services, including round-the-clock opening hours.

Realising a Combined Total of £50.7 million/ $66.9 million/ €58.8 million Led by Lawrence's Record-Breaking Portrait of The 1st Duke of Wellington and an Important Egyptian Limestone Pair Statue.

Birgit Donker, the former director of the Fotomuseum Rotterdam, was wrongfully dismissed. The court ruled that allegations of social insecurity and a culture of fear were unproven. Consequently, the Fotomuseum must pay Donker €400,000, equivalent to two years' salary.

Eighteen artefacts from the Kingdom of Benin have been returned to Nigeria by three Swiss museums.

In a recently published report, the Dutch Council for Culture advised AI companies to compensate artists.

From 13 June to 3 October 2027, Skulptur Projekte once again invites visitors to experience art in the public space.

After captivating millions of visitors in Tokyo, Miami, and Milan, an exhibition dedicated to Leandro Erlich arrives for the first time in France at the Grand Palais. From one work to another, perspectives shift, architectures are disrupted, and reality transforms before your eyes.

Kept out of public view for more than sixty years in Kees van Dongen’s studio, the portrait of Brigitte Bardot painted in 1959 reappears today. 

The only painting by John Singer Sargent in a Dutch public collection returns to display following restoration. Research on Egyptian Indigo Dyers reveals potentially reused canvas and the artist’s fingerprints.

The World Jewish Restitution Organization (WJRO) welcomed the publication of the final report by Ireland’s Advisory Committee on the Restitution and Repatriation of Cultural Heritage.

Greece handed over to Egyptian authorities a group of terracotta statuettes believed to come from Egypt that were discovered in an Athens skip eight years ago and handed over to archaeologists at the country’s biggest museum.

For quite a long time, the practice of art collecting was entirely connected to the physical world. It has typically required white-cube galleries, an auction room, and the permanent finality of hanging a canvas on a wall. However, with time, the process of how people experience, interact and acquire art started to change.