Emma Park

Emma Park, UK (senior writer)
Emma Park studied Classics at Oxford University, with a DPhil thesis on Plato and the Roman philosopher, Lucretius. She has since worked as a classics lecturer, school teacher, and pupil barrister. More recently, she undertook an Editorial Internship at the Spectator magazine. She has written reviews and articles for the Spectator and Apollo, the international art magazine, as well as other publications, including Maritime Risk International and the Oxonian Review. She is currently working as a freelance writer in London, where she also teaches writing at City Lit. Website: dremmapark.com, Twitter: @DrEmmaPark

Articles (3)

It’s Not Art, It’s Bananas
Article date: Saturday, December 7, 2019

It’s Not Art, It’s Bananas

For his latest offering to the art world, Maurizio Cattelan has been going bananas. The Italian conceptual artist made the headlines in September this year when his America (2016) – an 18 carat gold, fully functioning toilet – was stolen while on display in Blenheim Palace. His latest stunt, displayed in the booth of French gallerist Emmanuel Perrotin at Art Basel Miami Beach, is a single banana, which he acquired from the local supermarket and stuck to a large wall with silver duct tape. He has entitled his banana Comedian.

Troy: Myth and Reality
Article date: Friday, November 29, 2019

Troy: Myth and Reality

The British Museum has just opened a fascinating new exhibition on the legendary city of Troy, and the mythical ten-year war between the Greeks and the Trojans of which Homer and countless other poets sang. It has a wealth of paintings, vases, sculptures, and other artefacts that testify to the enormous influence of the Trojan war both on the Greeks and Romans, and, to a lesser extent, on later Western culture.

‘The Renaissance Nude’ in the Royal Academy of Arts, London
Article date: Thursday, March 21, 2019

‘The Renaissance Nude’ in the Royal Academy of Arts, London

London’s Royal Academy of Arts has just opened a splendid new exhibition on ‘The Renaissance Nude’, charting depictions of the naked body in Europe from 1400-1530 in a range of different media media, from painting to sculpture, from engravings to illuminated manuscripts. Highlights include Titian’s Venus Anadyomene, from the National Galleries of Scotland, Edinburgh, and Bronzino’s St Sebastian, from the Museo Nacional Thyssen-Bornemisza, Madrid.

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Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

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