Stolen John Opie Painting Recovered and Returned to Rightful Owner

Wednesday, January 31, 2024
Stolen John Opie Painting Recovered and Returned to Rightful Owner

An original John Opie painting believed to have been stolen by mobsters in July 1969 has been returned to its rightful owner after a two-year investigation by the FBI’s Salt Lake City Field Office.

On January 11, 2024, FBI Special Agent Gary France presented the painting, titled “The Schoolmistress”, to Dr. Francis Wood, 96, at his home in Newark, New Jersey, after a judge in the Fifth Judicial District Court for Washington County, Utah, resolved the question of ownership. The piece, painted circa 1784, is oil on canvas and approximately 40 inches by 50 inches. This recovered original Opie painting has a sister painting housed in the Tate Britain art gallery in London.

The FBI was contacted in December 2021 by a Washington County, Utah, accounting firm acting as a trustee for a client who died in 2020. The client had hired the firm to liquidate his residences and personal property. While appraising the painting for auction, it was discovered to likely be an original Opie stolen in 1969 from a private residence of the Wood family in New Jersey. Special Agent France of the FBI Salt Lake City’s St. George Resident Agency accepted custody of the painting based on the alleged theft.

Wood’s father, Dr. Earl Leroy Wood, purchased the painting during the Great Depression in the 1930s for $7,500. During the investigation, the FBI discovered multiple criminal subjects claimed responsibility for the painting’s theft.

According to court documents, on July 7, 1969, three men, identified as Gerald Festa, Gerald Donnerstag, and Austin Costiglione attempted to steal a coin collection from Dr Wood’s residence but failed because of a burglar alarm. The police and then-New Jersey State Senator Anthony Imperiale responded to the attempted burglary. The home’s caretaker mentioned to Senator Imperale that the 1784 Opie painting was “priceless.”

On July 25, 1969, the same three men returned to Dr. Wood’s home and stole the Opie painting. During Donnerstag’s trial in 1975, Festa testified and confessed to the burglary, saying they had acted under the direction of Senator Imperiale. Festa testified that before the burglary, the three men visited Imperiale’s “clubhouse” and were told exactly where the painting was in Dr. Wood’s home. Festa testified that Imperiale had the painting. However, the claims against the senator were never sufficiently corroborated and he was never charged.

It is believed that law enforcement pressure resulted in the painting’s transfer to another mobster. The painting’s location between 1969 and the late 1980s is unknown but the FBI believes it remained in the hands of organized crime members.

Twenty years later, in 1989, the Utah accounting firm’s deceased client purchased a home in Hallandale, Florida from convicted mobster, Joseph Covello, Sr. The Opie painting was included in the sale of the home without the client’s knowledge of its identity or history. The client eventually sold his Florida home and moved the painting to St. George, Utah, where it remained until his death in 2020.

“It was an honor playing a role in recovering a significant piece of art and culture, and reuniting a family with its stolen heritage,” Special Agent France said. “In a world where criminal investigations often leave scars, it was a rare joy to be a part of a win-win case: a triumph for history, justice, and the Wood family.”

 

Stephanie Cime

ArtDependence WhatsApp Group

Get the latest ArtDependence updates directly in WhatsApp by joining the ArtDependence WhatsApp Group by clicking the link or scanning the QR code below

whatsapp-qr

Subscribe to the Newsletter

Image of the Day

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Search

About ArtDependence

ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.

ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.

The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.

If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.