Painted in 1905, just after Paul Signac’s first transformative visit to Venice, Saint-Georges. Couchant (Venise) captures the glowing façade of the iconic San Giorgio Maggiore at sunset, viewed from the Riva degli Schiavoni — a short stroll from the artist’s hotel.
A renowned sailor and navigator, Signac was drawn to coastal cities, and Venice’s interplay of water, sky, and architecture proved irresistible. Inspired by the light-filled visions of Guardi, Canaletto, Turner — and yet wholly his own — Signac’s Neo-Impressionist interpretation of La Serenissima pulses with vibrant colour, transforming the scene into a glistening, modern masterpiece. The work hails from an exceptional series Signac painted of Venice between 1904 and 1908. Having always remained in France, it appears at auction after 70 years in the same private French collection. Its counterpart, Entrance to the Grand Canal — now held in the Toledo Museum of Art, Ohio, is often regarded as the most important work by the artist in an American public collection. Both paintings were first exhibited at Signac’s seminal 1907 exhibition at Galerie Bernheim-Jeune, Paris. Now, more than a century later, this extraordinary work will be on view in the galleries of Sotheby’s Paris — located in the very building that later became home to the legendary Galerie Bernheim-Jeune. It will then go on view in New York at the beginning of May, before being offered with an estimate of $7 – $10M, as a star of Sotheby’s Modern Evening Sale in New York. |
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