The contemporary collections have been newly rehung. Rooms devoted to individual artists or distinctive themes offer insight into the key moments in the contemporary art of the last forty years.
Image: Bruce Nauman’s Dream Passage With Four Corridors (1984)
The contemporary collections have been newly rehung. Rooms devoted to individual artists or distinctive themes offer insight into the key moments in the contemporary art of the last forty years.
Punctuating the progress from the late 1960s to today are series of major installations from Dubuffet’s Jardin d’hiver(1969–70) to Ben’s Magasin de Ben (1958–73), from Agam’s Salon (1972–74) to Marcel Broodthaers’ Salle blanche (1975), from Guy de Cointet’s Tell Me(1979) to Monika Sosnowska’s Rubble (2006–8), from Beuys’s Plight (1985) to Bruce Nauman’s Dream Passage With Four Corridors (1984), from Louise Bourgeois’s Precious Liquids (1992) to Reinhard Mucha’s Das Figur-Grund Problem… (1985), and from Franz West’s Auditorium (1992) to Mike Kelley and Tony Oursler’s Poetics Project (1977–87). Particular attention has been given to French work in all disciplines.
Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.
ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.
ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.
The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.
If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.
