Common Ground: Belgium's Most Anticipated Exhibition of Emerging Artists in 2026

Kisito Assangni - Tuesday, January 13, 2026
Common Ground: Belgium's Most Anticipated Exhibition of Emerging Artists in 2026

In an era where visibility is often mistaken for value, Common Ground (Kortrijk), asserts that the most vital artistic truths often reside in the quiet.

Curated by Nicolaes Devriendt, the exhibition is built not on metrics or digital reach, rather on conviction: the belief that urgency and depth cannot be measured by a follower count on social media. Presented on two locations in Kortrijk, Belgium, over a six week period, the exhibition brings together over twenty artists from across Europe and beyond who prioritize the tangible over the trend.

Several of the participating artists are entirely absent from social media; others operate on its extreme margins. This is a deliberate curatorial choice. Common Ground shifts the focus away from visibility as validation and back toward practice, materiality, and artistic intent. The artists were selected for what their work suggests about where it can go—not where it already circulates.​

Silvio Zangarini, Groote Museum, Amsterdam. Jan van Maurik's staircase, 2024 Inkjet print on dibond with plexi

Despite their diverse geographic origins and artistic languages, the artists are connected by a shared grounding: in material, in gesture, in observation, or in lived experience. “Ground” here is understood both literally and metaphorically—as soil, surface, support, and as common reference. It is what artists return to, work against, or build upon.

The exhibition does not propose a single narrative or aesthetic unity. Instead, it creates a space where differences remain intact while still touching. Common Ground is less about consensus than about proximity: about what happens when distinct practices are allowed to meet without being flattened into a theme.

Presented at Larry Gallery, Common Ground reflects the gallery’s ongoing commitment to emerging talent. It reinforces an understanding of contemporary art that values depth, risk, and independence over instant legibility.

Participating Artists :

Wendy Grace, Australia

Daphne Verheijke, The Netherlands

Dr. Gindi, Switzerland`

Maria Husarska, Poland

Sylvia Batycka, Poland/Germany

Dorothea Dejonckheere, The Netherlands

Mieke Jonker, The Netherlands

Dominique Selen, Belgium

Samir Farah, United Kingdom

Kirsty Wain, United Kingdom

Rafael Smet, Czech

Thomas Pucci, Italy

Zofia Iwaszkiewicz, Belgium

Eva Bazhenova, United Kingdom

Marit Otto, The Netherlands

Akshita Lad, India/Dubai

Oscar Rey, Spain

Sara Bervoets, Belgium

Silvio Zangarini, Italy

Katherine Miller, Germany

Bassam Andari, United Kingdom

Sven-Ulrik Beck Burchard, Denmark

Daniel Cuadrado, Spain

Daria Startseva, Switzerland

Riemer Den Ouden, Netherlands

Yosvany Malagon Hernandez, Cuba/Belgium

 

Exhibition Dates : January 29 - March 15

Locations:  Groeningestraat 26, Kortrijk

                    Koning Leopold I Straat 26, Kortrijk

 

Main Image: Courtesy Rafael Smet, Bez Nazvu (Archbrutt II) - Mixed Media on Canvas

 

 

 

 

Kisito Assangni is a Togolese-French curator, art consultant, and farmer who studied museology at Ecole du Louvre in Paris. Currently living between UK, France and Togo, his research focuses primarily on psychogeography and the cultural impact of globalisation. He investigates the modes of cultural production that combine theory and practice. He inherently aims at going beyond the usual relations between artist, curator, institution, audience, and artwork in order to engage audiences in encounters with art that are unexpected, transformative, and fun. His discursive public programs and exhibitions have been shown internationally, including the Venice Biennale; ZKM Museum, Karlsruhe; Whitechapel Gallery, London; Centre of Contemporary Art, Glasgow; Museum of Contemporary Art, Sydney; Malmo Konsthall, Sweden; Torrance Art Museum, Los Angeles; Es Baluard Museum of Art, Palma, Spain; National Centre for Contemporary Arts, Moscow; Marrakech Biennale among others. Assangni has participated in talks, seminars, and symposia at numerous institutions such as the British Museum, London; Palais de Tokyo, Paris; Smithsonian Institution, Washington DC; Ben Uri Museum, London; Pori Art Museum, Finland; Kunsthall 3.14, Bergen (Norway); Bamako Encounters Photography Biennial, Mali; Sala Rekalde Foundation, Bilbao; COP17 Summit, South Africa; Depart Foundation, Malibu (USA); Sint-Lukas University, Brussels; Motorenhalle Centre of Contemporary Art, Dresden (Germany); Kunsthalle Sao Paulo, Brazil; Museo d’Arte Contemporanea Ticino, Switzerland. Assangni is the founder of TIME is Love Screening (International video art program) and art advisor for Latrobe Regional Gallery in Victoria, Australia.