Another Van Gogh Painting Joins the Noord Brabants Museum Collection

Image courtesy to Het Noordbrabants Museum

Het Noordbrabants Museum has once again expanded its ever-growing collection of works by Vincent van Gogh. The museum recently acquired an 1885 portrait of a woman from the Nuenen area via Christie’s London. The purchase was funded by the BankGiro Lottery, private individuals, and companies.

A prominent feature

Vincent van Gogh features very prominently at Het Noordbrabants Museum. As a regional museum with an international ambition, the museum seeks to bring together a collection representing the works created by the world-famous Brabant artist in his home region. Following three smaller exhibitions in 2015 and 2017, a major exhibition opened in 2019: Van Gogh’s Inner Circle: Friends, Family, Models, with works on loan from all over the world. The museum subsequently acquired the watercolour drawing ‘The Garden of the Vicarage at Nuenen’ (1885) in late 2016, the painting ‘Watermill at Coll’ (1884) in 2017, and the painting ‘Still Life with Bottles and Shell’ (1884) in 2018. ‘Head of a Woman’ (1885) is the fourth purchase of a Van Gogh in just four years. Adding the ‘Peasant Woman Digging’ (1885) acquired in 1984, the museum now owns five works by Vincent van Gogh. With another eight on loan, Het Noordbrabants Museum currently hosts a total of thirteen Van Gogh works.

Image courtesy to Het Noordbrabants Museum

Practicing as a figure painter

‘Head of a Woman’ is part of a key series of works produced in Nuenen between November 1884 and May 1885. Van Gogh sought to become a good figure painter, producing a few dozen studies of heads to this end. The progress he made in this field was soon reflected in his masterpiece ‘The Potato Eaters’. A relatively colourful piece amongst his Brabant works, ‘Head of a Woman’ is one of the few head studies with a light, coloured background.

Models from the countryside

Van Gogh painted various farmers and rural labourers from Nuenen and the surrounding area. Their weathered faces portray the arduous life of a peasant, in close communion with nature. Van Gogh was particularly interested in models with characteristic facial features. This unknown woman with her striking appearance must have made quite an impression on Van Gogh, as he captured her image several times. The contours of her profile stand out vividly against the light background, while her hair playfully pops out of her bonnet. This powerful canvas piece is a wonderful addition to the collection, as the museum welcomes its first portrait.

Generous support

For Het Noordbrabants Museum, such high-value purchases are far from common, especially in times like these. Museum director Charles de Mooij is impressed by the support that the museum continues to receive from donors and sponsors time and time again. ‘As with many acquisitions, this painting was obtained entirely using outside funds, mostly thanks to those who take part in the BankGiro Lottery. The rest was donated by sponsors and private individuals who have been supporting the museum for many years. It’s incredibly heartwarming!’

Chief Executive of the BankGiro Lottery:  'We are proud that our BankGiro Lottery players have helped to make this momentous addition to the museum's collection possible. Now that Het Noordbrabants Museum is open again, we hope plenty of people will come and admire this wonderful work. Particularly in these times, it will really do a world of good.’

Expertise sought from the Van Gogh Museum

Before the museum bought ‘Head of a Woman’, it asked experts at the Van Gogh Museum to inspect the work. The painting was examined extensively in Amsterdam, using UV light, X-ray, and microscope. The canvas was also analysed, which revealed that it had come from the same roll as three other works created in Nuenen. Based on these positive findings, Het Noordbrabants Museum then started negotiations with the sellers, reaching an agreement in mid-August.

Van Gogh and Brabant

The acquisition of the painting not only strengthens the collection at Het Noordbrabants Museum, but it also provides a boost to Brabant’s association with Van Gogh. Noord-Brabant is particularly pleased with the purchase, as the province’s representative for culture Wil van Pinxteren explains. ‘It’s wonderful that the fourth work by Van Gogh in four years has returned to his native land. In recent years, Brabant has invested heavily in various Van Gogh initiatives, both through the Van Gogh Brabant project, co-initiated by Het Noordbrabants Museum, and through the Van Gogh Heritage Sites in Nuenen, Zundert, and Etten-Leur. The development of the Van Gogh National Park is also in full swing, generating strong momentum for our common approach.’

A new home

Visitors can see the newly acquired Van Gogh portrait of a woman from the Nuenen area (1885) at Het Noordbrabants Museum from Thursday 3 to Sunday 6 September. The painting will then undergo conservation treatment, before being included in the completely new ‘Van Gogh in Brabant’ permanent exhibition, which will open at the end of March 2021.