Articles

The Minister of Culture, Rima Abdul Malak, introduced a bill to facilitate the restitution of cultural property in the public domain and which has been the subject of dispossession in the context of the anti-Semitic persecutions perpetrated between 30 January 1933 and 8 May 1945 by Nazi Germany and by the authorities of the territories it occupied, controlled or influenced, in particular the Vichy regime, designated in the law by the consecrated expression «de facto authority calling itself "government of the French State».

The emblem pays tribute to The King’s love of the natural world, unifying the flora of the four nations of the United Kingdom; the rose of England, the thistle of Scotland, the daffodil of Wales and the shamrock of Northern Ireland. Together, the flowers create the shape of St Edward’s Crown, with which His Majesty The King will be crowned during the Coronation Service at Westminster Abbey on Saturday, 6th May. The emblem has been designed using the red, white and blue of the union flag.

The innovative collaboration between the National Portrait Gallery and Getty to jointly acquire Joshua Reynolds’ Portrait of Mai (Omai) has been successful.

The Rijksmuseum has purchased for its collection a drawing by the Flemish artist Pieter Coecke van Aelst (1502-1550). The artist drew this Old Testament scene titled The Marriage of Tobias and Sarah around 1540–1545. It is very rare compositional sketch by the artist, and the only known design for a tapestry from the final phase of his career. This work was part of the Rijksmuseum collection from 1964 until recently, when, at the recommendation of the Restitution Committee, it was restituted to the heirs of the Jewish private collector Dr Arthur Feldmann. The Rijksmuseum attaches great importance to the serving of justice to the heirs of Dr Arthur Feldmann in this way. The heirs have sold the drawing to the Rijksmuseum.

Wakehurst, Kew’s wild botanic garden in Sussex, will soon be home to one of the UK’s largest outdoor art installations. Commissioned to wrap the Elizabethan Mansion, currently undergoing an extensive roof restoration, Planet Wakehurst is a bespoke photo montage from Australian-born artist Catherine Nelson.

Damian Williams, the United States Attorney for the Southern District of New York, announced today that ANGELA CATHERINE HAMBLIN, a citizen of the United Kingdom, was extradited today from Germany to the United States to serve a prison sentence for selling fake works of art through a commercial auction website and in private transactions.

Old Dongola (Tungul in Old Nubian) was the capital of Makuria, one of the most prominent medieval African states. Research in this city, initiated by Prof. Kazimierz Michałowski, has been providing groundbreaking results practically every year. Such was the case of the last excavation season of the Starting Grant project "UMMA - Urban Metamorphosis of the community of a Medieval African capital city" financed by the European Research Council and carried out by a team led by Dr. hab. Artur Obłuski from the Polish Centre of Mediterranean Archaeology, University of Warsaw.

The Museum of Contemporary Art Antwerp (M HKA) is currently housed in a converted and expanded grain silo on Leuvenstraat in the Antwerp South district. Various preliminary studies have shown that it is not possible to meet the expectations set out in the Cultural Heritage Decree within the current infrastructure, particularly with regards to public functions and the presentation of the important collection.

The buyer of Trinity, the Tyrannosaurus rex skeleton sold for CHF 5.5 million ($6 million) at Koller Auctions in Zurich on 18 April, is The Phoebus Foundation, a non-profit art foundation. Phoebus has announced their intention to show Trinity to the public in their ‘Boerentoren’ cultural centre project in Antwerp, designed by Daniel Libeskind.

For the Icelandic Pavilion’s exhibition at the 59 International Art Exhibition – La Biennale di Venezia, Reykjavík based contemporary artist Sigurður Guðjónsson presents multisensory sculpture Perpetual Motion. The artwork offers a poetic exploration of materiality at edge of the boundaries of perception, powerfully combining moving images and sound to activate the space and create an entrancing, meditative experience for visitors. The Icelandic Pavilion is curated by Mónica Bello and is located in the Arsenale, for the first time this year.

Museum Beelden aan Zee in The Hague is showing a large-scale retrospective of the world-famous British artist Henry Moore next year. The themed exhibition will feature top works from his oeuvre and give visitors a unique insight into the artist's methods and artistic development. Henry Moore by the Sea: Form and Material is a collaboration with the Henry Moore Foundation and can be seen until 22 October 2023.

Since 2005, the sculpture "Capricorne" has been one of the main attractions of the Max Ernst Museum in Brühl. However, the lender, Deutsche Bank, now wants to sell the work for a multi-million dollar amount.

In a meeting on Thursday, April 20th, the council of the state capital of Düsseldorf decided to restitute the painting "Portrait of the Artist's Children" (1830) by Wilhelm von Schadow to the "Dr. Max and Iris Stern Foundation". The agreement with the Stern Foundation stipulates that the work will remain in the city's collection through a repurchase.

The Nairobi Space Station initiative, a partnership between the art futurist organization Kairos Futura, Documenta 2022 first prize winner, Wajukuu Arts and Brush Tu Artist Collective has brought together a diverse group of 20 artists and over a hundred volunteers to create immersive experiences, performance art, and public installations imagining the future of Nairobi.

From its origins in mid nineteenth-century Paris, the idea of bohemia has been a powerful component of what it means to be an artist. Bohemia, a real place, has thus given its name to a cultural movement and a way of living. Its values have always centred around a commitment to art in all its forms, an embrace of total freedom, a hostility toward work and conventional ambition, and a willingness to accept poverty.

Wisbech and Fenland Museum announced it will charge adults for admission and launched an urgent appeal to local individuals, businesses and organisations to pledge what each can spare monthly or annually to keep it afloat.

The GEM Complex is now offering limited tours to test site readiness and the visitor experience ahead of the official opening. Access is currently limited to the Grand Hall, Glass Court, conference center, commercial area and exterior gardens. All other interior spaces, including access to the galleries and collections, are restricted until the official opening.

Paul Guiragossian (1926 - 1993) Le Bienvenu (The Welcomed One) signed Paul G. (lower right); signed and dated Paul Guiragossian Paris '62 (on the reverse) oil on canvas

The 12th edition of Liverpool Biennial ‘uMoya: The sacred Return of Lost Things’ addresses the history and temperament of the city of Liverpool and is a call for ancestral and indigenous forms of knowledge, wisdom and healing. In the isiZulu language, ‘uMoya’ means spirit, breath, air, climate and wind.

Francis Bacon, Self-Portrait