ArtDependence | Etienne Verbist

Etienne Verbist, Luxemburg (senior writer)

Etienne Verbist is an authority in the field of crowd sourcing, disruptive business modelling and disruptive art. After a well filled career with companies such as GE, Etienne was an early adopter of crowd sourcing. Etienne is manager Europe and Africa for Crowd Sourcing Week, a board advisor to a broad range of companies on innovation and new technology, curator of the Disruptive Art Museum – the smallest museum in the world – and columnist for ArtDependence Magazine.

Articles (49)

Article date: Monday, April 3, 2017

The Internet of Beings - An Interview with Martine-Nicole Rojina

Martine-Nicole Rojina: "I believe in the tradition of mastery. I thrive for a holistic upgrade of perception, awareness and knowledge and dig deep into all elements involved to master the alchemical system. In the inside, as on the outside. As above, so below."

Article date: Thursday, March 9, 2017

Platforms Which Will Have Impact - Maecenas Discover a New Way to Invest in Fine Art

Marcelo Garcia Casil: "We are a start-up company looking to disrupt the art finance industry. Our online platform removes intermediaries like auction houses and art dealers by creating an open and fair marketplace where investors can reach out to art owners directly in a secure and reliable way."

Article date: Monday, March 6, 2017

Curators Who Will Have Impact – An Interview with Mark Coeckelbergh

"I’m a philosopher thinking about new technologies, what they mean for our lives and how they may change society. In my work I connect with artists and curators, since I think artistic research can help to bring in different forms of knowledge and experience to discuss these questions. I'm a professor at the University of Vienna, but I also connect to many people outside academia, in the worlds of technology and art." - Mark Coeckelbergh

Article date: Friday, January 27, 2017

Interview with Anthea Missy, Graffiti & Street Artist

Contemporary street artists are not concerned with impressing members of the Academy or approved authorities. Rather, they are interested in revoking many social conventions about art. Contemporary street artists produce their works with the belief that art does not only belong in museums but also on the streets with the people. That is why many of them, such as Banksy, operate under pseudonyms, because vandalizing public property is a crime.

Article date: Wednesday, December 21, 2016

Building a Temple on the Moon: Interview with Jorge Mañes Rubio

"My name is Jorge Mañes Rubio. I’m a Spanish artist based in Amsterdam and I’m currently artist in residence at the European Space Agency. Currently, I’m working on building a temple on the Moon - I would say that this is already quite a nice dream project!" - in interview with Jorge Mañes Rubio, conducted by Etienne Verbist.

Article date: Monday, November 7, 2016

Albert Pinya: The Time is Now

Do you know Albert Pinya? If you don’t recognize this name, you’re going to want to pay attention. Pinya is one of the most celebrated members of the new generation of Spanish painters, born in the 1980s. Above all, his work is characterized by its constant questioning of morality and human behavior. Combining elements that are equally tragic, absurd, grotesque, decadent, ridiculous and irreverent, which are linked at times to an ironic vision, which is comical in other times, or a little naïve in other occasions or even gruesome sometimes, Pinya works to take us all a step closer to the here and now.

Article date: Monday, September 19, 2016

Denis Meyers: An interview with the Graffiti and Street Artist

Contemporary street artists are not concerned with impressing members of the Academy or approved authorities but rather in revoking many social conventions about art. Contemporary street artists produce their works believing that art does not belong only in museums but also on the streets with the people. That is why many of them, such as Banksy, operate under pseudonyms, because vandalizing public property is a crime.

Article date: Thursday, August 25, 2016

Interview with Patrick Tresset

Patrick Tresset is a London based artist, his art practices follow two main path, on one hand Tresset presents theatrical installations in which robotic agents are actors, these installations are often evocations of humanness. On the other hand Tresset also uses robots and computational systems to produce series of drawings, paintings and videos.

Article date: Wednesday, May 4, 2016

The Complexities of the Digital Art Shift

With the exponential advancement of new digital technologies, the arts are moving towards opening up digital and digitized heritage to the wider public, and making digital formats of content easily accessible to the wider public. ln 2013, Tate proposed a strategy to focus on digital solutions that promoted a broader public engagement of art. Whitney Museum’s Artport is available through their website and dedicated to showing, commissioning and archiving digital and Internet art. Initiatives like these demonstrate how new media now has a prominent and critical influence on our culture sectors.

ArtDependence WhatsApp Group

Get the latest ArtDependence updates directly in WhatsApp by joining the ArtDependence WhatsApp Group by clicking the link or scanning the QR code below

Subscribe to the Newsletter

Event Map

See all upcoming events on an easy to use google map

Image of the Day

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Search

About ArtDependence

ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.

ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.

The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.

If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.