V&A reveals more Details in Major Exhibition of British Fashion Model, Naomi Campbell

In addition to stunning garments and fashion accessories, fashion photography features prominently. Striking imagery by leading photographers such as Campbell Addy, Nick Knight, Peter Lindbergh and Steven Meisel, will form a selection of photography curated by Edward Enninful OBE.

The exhibition will also recognise Campbell’s mentors including prominent public figures such as Nelson Mandela, who inspired her to use her platform for social change. Campbell has advocated for equity from an early age, joining the Black Girls Coalition in 1989 and fronting the 2007 ‘black issue’ of Vogue Italia. Along with Bethann Hardison and Iman, she has also campaigned for The Diversity Coalition since 2013 to champion diversity on the catwalk. The exhibition will also spotlight her on- going active support of emerging creatives, through events such as Arise Fashion Week and her global initiative EMERGE, founded in 2022.

Naomi Campbell said: “I’m honoured to be asked by the V&A to share my life in clothes with the world.”

Sonnet Stanfill, Senior Curator, Fashion, V&A, said: “Naomi Campbell’s extraordinary career intersects with the best of high fashion. She is recognised worldwide as a supermodel, activist, philanthropist, and creative collaborator, making her one of the most prolific and influential figures in contemporary culture. We’re delighted to be working with Naomi Campbell on this project and to celebrate her career with our audiences.”

About the Exhibition:

The exhibition opens with high-impact clips of Campbell on the catwalk, illustrating her legendary ‘walk’, setting the scene for the supermodel’s unparallelled 40-year career. Becoming Naomi then goes back to Campbell’s childhood. Born in 1970, south-Londoner Campbell aspired to a career on stage and performed in 1980s music videos for artists including Bob Marley and Culture Club. Her life changed when, aged 15, she was approached by model agent Beth Boldt while out shopping with schoolfriends; two years later she would be on the front cover of Vogue and walking for acclaimed designers in London, Paris, Milan and New York. Foundational to her meteoric rise was hard work, training and a love of dance. A feathered cocktail dress by Yves Saint Laurent for his Autumn/Winter 1987 collection will be on display; walking for Saint Laurent signalled her entry into the highest echelons of fashion modelling. Examples of Campbell’s earliest covers will also be shown, including her Vogue Paris, Patrick Demarchelier cover from August 1988 – she was the first Black model to cover the magazine.

By the early 1990s, the term ‘Supermodel’, or model turned international celebrity, was widely used directly in reference to Naomi and a small group of peers. Fashion had become mass entertainment. Campbell, though still in her teens, was at the centre of this excitement, and leading designers championed her talents. She became known for her superlative ‘walk’ while her work with leading photographers created some of the era’s most memorable images. Simultaneously, she moved beyond the world of fashion, performing in music videos, launching

her own perfume and becoming a champion of diversity. Highlights from this section include an Andy Warhol-print dress from Gianni Versace’s Spring/Summer 1991 show and a dramatic 1989 Thierry Mugler car-inspired corset made from plastic, metal and acrylic. Campbell unwittingly created fashion history in 1993 when, smiling, she fell to the runway floor while wearing Westwood’s staggeringly high blue platforms. The original pair, with the model’s name written inside, were quickly acquired by the V&A. The full ensemble is reunited here for the first time since this mishap, a fashion moment which elevated Campbell’s profile, and the designer’s, to even greater heights.

The next section focuses on Campbell’s intense personal and professional relationship with late Tunis-born, Paris-based designer Azzedine Alaïa – who she would call ‘Papa’. Alaïa opened up his residence and studio to the young model, who, with her mother's permission, lived for a time with the designer, his partner and their dogs. Alaïa is famed for his figure-hugging designs and Campbell’s sculptural physique, to him ‘a perfect body’, inspired much of this work. In turn, Alaïa offered valuable experience and introductions to industry professionals. Together, the pair created runway magic and editorial gold. A leopard-print knitwear bodysuit from Alaïa’s Autumn/Winter 1991 ready-to-wear collection will feature, famously captured in a photograph by Herb Ritts in 1991 for Interview magazine.

Aged 17 Campbell moved to New York and threw herself into the city’s buzzing, social, fashion scene. She forged enduring friendships with designers and others in the industry. Key looks include an ensemble from Marc Jacobs’ Grunge Redux collection and an ensemble designed byAnna Sui, a longtime friend of Campbell’s.

Since the early 1990s Campbell has been one of the most high profile models in the world – and one of the most recognisable Black women. She is on our televisions and phones, in music videos and newspapers. The Spotlight will explore a highly publicized biographical moment, when Campbell served a period of court ordered community service. On display in this section is the Dolce & Gabbana gown that Campbell wore on her final day of community service – a look she wore in response to the paparazzi capturing her arrival and departure every day throughout.

The next section will look at Naomi Campbell as an Exemplar in the field, and her early collaborations with many fashion houses, from Dolce & Gabbana and Vivienne Westwood to Jean Paul Gautier. Formed when Campbell was a young woman, these connections evolved into decades-long collaborative friendships. Designers have long valued Campbell’s ability to model, with apparent ease, the most difficult ensembles, and to glamorise whatever she wears, from a Fendi coat with beaded sleeves, to a bejeweled Dolce & Gabbana bodysuit.

World-renowned photographers – from Steven Meisel and Arthur Elgort to Patrick Demarchelier and David Bailey – reference Campbell’s unique Alchemy with the camera. Campbell equally has a deep respect for those she works with, recognizing their artistic talent and vision, and working to achieve the image they have in mind. The selection of photography that will feature is curated by Edward Enninful OBE. Enninful has said of Campbell: ‘As anyone who has worked with her knows, when Naomi arrives at a shoot, she is there to work.’

With over forty years of experience working with the leading names in fashion, Campbell is an Archetype, whose skill and reputation as an exceptional model is indisputable. Her presence on the catwalk, or in marketing campaigns is guaranteed to attract attention. This section recognises Campbell advocating for friends, career-defining moments and emerging designers with highlights including an ensemble from Virgil Abloh’s final collection during the Off-White show held shortly after his untimely death, a hand-embroidered dress and cape from Rizman Ruzaini embellished with over 35,000 crystals and a custom pink ensemble by Pierpaolo Piccioli

for Valentino worn by Campbell at the Met Gala. A grey wool ensemble by BOSS for their Autumn/Winter 2023 ‘BeYourOwnBoss’ campaign will also be displayed in this section, nearby a dress by Sarah Burton for Alexander McQueen highlighting the occasion of Campbell receiving the Fashion Icon Award at the British Fashion Awards in 2019.

Main Image :DAVE BENNET FOR THE VICTORIA AND ALBERT MUSEUM