The First UK Retrospective of the Egyptian-Canadian Artist of Armenian Origin, Anna Boghiguian

Thursday, March 7, 2019
The First UK Retrospective of the Egyptian-Canadian Artist of Armenian Origin, Anna Boghiguian

This is the first retrospective in the UK of the Egyptian-Canadian artist of Armenian origin, Anna Boghiguian (Cairo, 1946). A close observer of the human condition, the artist draws equally on the past and present, poetry and politics, joyfulness and a critique of the modern world.

Image: Anna Boghiguian, Promenade dans l’inconscient 2016  (A Walk in the Unconscious 2016), detail. Photograph © Renato Ghiazza

 

This is the first retrospective in the UK of the Egyptian-Canadian artist of Armenian origin, Anna Boghiguian (Cairo, 1946). A close observer of the human condition, the artist draws equally on the past and present, poetry and politics, joyfulness and a critique of the modern world.

This immersive exhibition features dramatic large-scale installations of paintings on sailcloth and papier-mache sculptures, alongside more intimate displays of artist books and elements of her own studio.

 

Anna Boghiguian, Promenade dans l’inconscient 2016  (A Walk in the Unconscious 2016), detail. Photograph © Renato Ghiazza

 

For this exhibition, Anna Boghiguian has created a new work inspired by the industrial history of Cornwall; featuring characters, processes and materials drawn from the mining and fishing industries.

The exhibition is curated by Carolyn Christov-Bakargiev, Director, and Marianna Vecellio, Curator, Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino with Anne Barlow, Director Tate St Ives.

This exhibition was supported by a grant from Canada House

Tate St Ives

Until 6 May, 2019

 

Stephanie Cime

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Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

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