Desert X 2023 Artists Announced

Monday, January 30, 2023
Desert X 2023 Artists Announced

Desert X has revealed the participating artists in its fourth edition of the site-specific, international art exhibition opening March 4–May 7, 2023 at sites across the Coachella Valley.

Desert X has revealed the participating artists in its fourth edition of the site-specific, international art exhibition opening March 4–May 7, 2023 at sites across the Coachella Valley. Eleven artists from Europe, North America and South Asia will present poetic and immersive works that span sculpture, painting, writing, architecture, design, film, music, performance and choreography, education, and environmental activism in the exhibition curated by Artistic Director Neville Wakefield and Co-Curator Diana Campbell.

The participating artists are: Rana Begum (b.1977, Bangladesh, based in London); Lauren Bon (b.1962, USA, based in Los Angeles); Gerald Clarke (b. 1967, USA, based in Anza, California); Paloma Contreras Lomas (b. 1991, Mexico, based in Mexico City); Torkwase Dyson (b. 1973, USA, based in Beacon, New York); Mario García Torres (b.1975, Mexico, based in Mexico City); Hylozoic/Desires (Himali Singh Soin, b. 1987, India, based in London and Delhi and David Soin Tappeser, b.1985, Germany, based in London and Delhi); Matt Johnson (b.1978, USA, based in Los Angeles); Tschabalala Self (b. 1990, USA, based in New York); Marina Tabassum (b. 1968, Bangladesh, based in Dhaka);
and Héctor Zamora (b. 1974, Mexico, based in Mexico City).

“There’s a saying attributed to the Kwakwaka’wakw nation that a place is a story happening many times,” says Wakefield. “This idea of place as the multiplicity of stories flowing through it is central to Desert X. Artists are an essential part of this understanding and the ideas they bring to it irrigate our perception of place, nourishing the narratives already there and propagating those that have yet to be told.”

In the exhibition, which builds on social and environmental themes explored in earlier editions, newly-commissioned works make visible, as instruments of self-awareness and devices of wonder, the forces that we exert on the world: how we design our environments, how we live, and the messages we send that reinforce systems that might or might not be beneficial for us. From the local to the global, from schools and roads to global trade routes that define the ebb and flow of goods and many things in-between, infrastructure has subsumed creative ways of being that are inconvenient to forces of power.

“Desert X 2023 can be seen as a collection of artistic interventions that make visible how our energy has a transference far beyond what we see just in front of us in our own localities,” says Campbell. “From deserts to floodplains, finding, building and developing tools and tactics to shelter our minds and bodies from the harshness of the world outside are essential to survival. In a time of global crisis, many of the artists have created spaces of freedom and possibility, suggesting new ways to build healing cultures of care that embrace and protect (bio)diversity, opening up opportunities for joy and hope anchored in justice. Immersing ourselves in the stories of place also awakens us to its mythologies, whether they be religious texts and oral traditions across multitudes of belief systems that see us creating vessels to escape the flood as well as being cast into the arid wilderness to test the limits of existential and spiritual survival.”

“Since its founding, Desert X has provided a non-judgemental platform where artists and audiences generate cross-cultural dialogue and new understanding about our world. They are challenged by the desert, its beauty, harshness, and ever-changing environment,” says Desert X Founder and President Susan Davis. “For 2023, visitors will encounter immersive works that respond to the global impact of climate change, economic challenges and the profound social transformations we are confronting.”

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Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

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