Anselm Kiefer to unveil Major New Work as Part of Landmark Exhibition

For the first time in their history, the Van Gogh Museum and the Stedelijk Museum in Amsterdam are joining forces to stage the exhibition Anselm Kiefer - Sag mir wo die Blumen sind, which will run from 7 March - 9 June 2025.. The exhibition brings together twenty-five works by Anselm Kiefer, including paintings, installations, film and works on paper, across the two museums.

The presentation at the Van Gogh Museum will demonstrate the enduring influence of Vincent van Gogh on Kiefer’s work. In 1963, Kiefer won a travel scholarship and chose to follow the route taken by Van Gogh, from the Netherlands to Belgium and France. Van Gogh and his work have remained a vital source of inspiration for him. The exhibition presents seven key works by Van Gogh, alongside previously unseen paintings and thirteen early drawings by Kiefer. Paintings, such as Van Gogh’s Wheatfield With Crows (1890) will be juxtaposed in the same space as Keifer’s monumental works of the same theme.

Emilie Gordenker, Director, Van Gogh Museum, said: "Anselm Kiefer has been engaged with Van Gogh’s work from his early years. Sometimes the inspiration is almost literal, as in the use of sunflowers and the composition of his landscapes. Kiefer’s recent work – displayed here for the first time – shows how Van Gogh continues to make his mark on his work today."

The presentation at the Stedelijk Museum focuses on Kiefer’s close ties to the Netherlands, particularly the artist’s connection with the museum, which has been pivotal to his career. The Stedelijk acquired Innenraum (1981) and Märkischer Sand (1982) early in the artist’s practice and staged an acclaimed solo exhibition of his work in 1986. This exhibition is not only an unprecedented opportunity to see all the works in the Stedelijk’s collection together, but also a chance to see Kiefer’s more recent paintings and especially two new spatial installations.

The titular work Sag mir wo die Blumen sind is over 24 metres in length, which the artist is currently completing to fill the space around the historic staircase of the museum. The second installation Steigend, steigend, sinke nieder is made from photographs and lead, an important material that recurs throughout Kiefer’s work, alluding to the heavy weight of human history. The exhibition will also feature films by and about Anselm Kiefer, including the unknown film Noch ist Polen nicht los… (1989), which he made in Warsaw shortly before the fall of the Iron Curtain.

Rein Wolfs, Director, Stedelijk Museum Amsterdam, said: “The Stedelijk has a long relationship with Anselm Kiefer and has played an important role in the acceptance of the artist’s work. That connection will be expressed in the two special spatial installations he will show in our building, and which will be an immersive experience. It will be truly remarkable to see these installations amid several of his iconic works from the 1980s. In this way, Kiefer looks back at the past and towards the future.”

The title of the exhibition Sag mir wo die Blumen sind is taken from the 1955 protest song Where have all the flowers gone by American folk singer and activist Pete Seeger, which became famous when Marlene Dietrich performed the song in 1962. Kiefer’s expansive new installation for the Stedelijk Museum Sag mir wo die Blumen sind combines paint and clay with uniforms, dried rose petals and gold, symbolising the cycle of life and death with the human condition and fate of mankind playing a central motif. The flowers of the title are also a reference to the Sunflowers (1889) by Vincent van Gogh and to recent landscapes by Kiefer, which will be seen for the first time in the exhibition.

In collaboration with the Van Gogh Museum, Kiefer/Van Gogh will go on display at the Royal Academy of Arts, London, from 28 June – 26 October 2025.

Main Image: Anselm Kiefer, Sag mir wo die Blumen sind, 2024, emulsion, oil, acrylic, shellac, gold leaf, sediment of electrolysis, clay, dried flowers, straw, fabric, steel, charcoal and collage of canvas on canvas. Copyright: Anselm Kiefer. Photo: Nina Slavcheva