World Photography Organisation Announces Shortlist for the Sony World Photography Awards 2023

Friday, March 3, 2023
World Photography Organisation Announces Shortlist for the Sony World Photography Awards 2023

The World Photography Organisation has revealed the finalists and shortlisted photographers in the Professional competition for the Sony World Photography Awards 2023.

The World Photography Organisation has revealed the finalists and shortlisted photographers in the Professional competition for the Sony World Photography Awards 2023.Now in its 16th year, the Awards’ Professional competition rewards exceptional series of work both for technical skill and an original approach to storytelling.

The winner of Photographer of the Year 2023 is chosen from the Professional finalists and announced on 13 April. A selection of images by finalists and shortlisted photographers will be exhibited as part of the Sony World Photography Awards at Somerset House from 14 April-1 May 2023.

Over 415,000 images from over 200 countries and territories were submitted to the Sony World
Photography Awards 2023 and over 180,000 were entered into the Professional competition - the
highest number of entries on record.

The three finalists and projects per category of the Sony World Photography Awards 2023 are:


In Memoriam: Muralla Roja by Ricardo Bofill, Andres Gallardo Albajar (Spain) pays tribute to the
celebrated Spanish architect Ricardo Bofill (d. 2022), through a series of images of the maze-like
interiors and exteriors of one of his most iconic buildings. In Stal-Vernacular Animal Sheds, Servaas
Van Belle (Belgium) chronicles the architecture of animal shelters. Shot centre-frame in dense fog,
the photographer considers the humility and humanity of these scarred and weather-beaten
structures. Meanwhile in Cement Factory, Fan Li (China Mainland) captures the imposing remains
of an abandoned cement factory in Southern China, shot in stark black and white.

In The Right to Play, Lee-Ann Olwage (South Africa) explores female empowerment through
education, using flower collage techniques to add a sense of joy, playfulness and hope to her
portraits. In Africa Blues, Edoardo Delille and Giulia Piermartiri (Italy), use a projector to overlay
images of environmental devastation onto scenes of everyday life as a way of highlighting the
impact of climate change in Mozambique. Meanwhile, in Noemi Comi’s (Italy) Lupus Hominarius
archive imagery is juxtaposed with bright tones to explore historic folk tales of Werewolves in
Calabria, Italy, where the legend was sometimes used to keep women close to home.

In Gaza struggles to accommodate the living and the dead as population grows, Mohammed
Salem (Palestinian Territory) follows a family compelled by overcrowding in the Gaza area to set
up shelter and live in a cemetery. In The Women’s Peace Movement in Congo Hugh Kinsella
Cunningham (United Kingdom) seeks to shed light on the frequently overlooked contributions of
local women to the ongoing peace efforts in the Democratic Republic of Congo. Tariq Zaidi’s
(United Kingdom) Inside the Hamar Weyne Fish Market: the Heart of Mogadishu, Somalia, vividly
captures the energy and atmosphere of the city's busiest fish market, where it remains a key source
of economic activity despite the ongoing civil war.

Charting the gradual demise of the Colorado River, Jonas Kakó’s (Germany) The Dying River
explores the ways in which extensive human interference has impacted surrounding communities
and their way of life. Miruku by Marisol Mendez (Bolivia) and Federico Kaplan (Argentina), focuses
on the intersection of climate vulnerability and gender inequality through a series of images of an
indigenous community from La Guajira in Colombia, experiencing a devastating water shortage.
Elsewhere, in Green Dystopia Axel Javier Sulzbacher (Germany) investigates the burden and violent
toll of the rising demand for avocadoes in Michoacan, Mexico.

Taken over a course of 76 solo flights and 200 hours in the air, Event Horizon by Kacper Kowalski
(Poland) is a series of strikingly abstract ice patterns over bodies of water in Poland in winter. In
Postcards from Afghanistan after forty years of war Bruno Zanzottera (Italy) captures the scars
borne by the landscape of Afghanistan. Fabio Bucciarelli’s (Italy) Loss and Damage is a study of
the destruction caused by four years of consecutive flooding in South Sudan, depicted in images of
buildings and vehicles half-submerged by the floodwaters.

Riverland and other projects by Marjolein Martinot (Netherlands) captures the feeling of a long and
languid summer in photographs of bathers in Southern France. In Marylise Vigneau’s (France)
Portfolio, the photographer presents a collection of contrasting moments: from an old veteran
recovering from Covid, to a portrait of a little girl in Lahore. Meanwhile James Deavin’s (United
Kingdom) Portfolio was taken while the photographer was living in Saudi Arabia, and juxtaposes
images of migrant workers with images of leisure.

Afghanistan's Girl Athletes by Ebrahim Noroozi (Iran) portrays women with the equipment of the
sports they are now forbidden from playing by the Taliban, their identities concealed by burqas. Our
War by Edgar Martins (Portugal) is a homage to Martins’ friend, photojournalist Anton Hammerl
who was killed during the Libyan civil war in 2011 and whose remains have not yet been found. The
series is structured as a self-portrait of Hammerl through posed images of the people he had
photographed and met. Jean-Claude Moschetti’s (France) Egungun looks at traditional costumes
worn in Benin as part of voodoo rituals which honour spirits of the ancestors and perpetuate their

In Female Pro Baseball Player Succeeds in All Male Pro League, Al Bello (United States) documents
the achievements of Kelsie Whitmore, the first female professional baseball player to play in an allmale professional league. In Mundialito, Andrea Fantini (Italy) captures the drama and excitement
of one of the most important Indigenous Football Cups in South America. Meanwhile in Fallou Diop,
the Unpredicted Hope of the Racetrack, Thomas Morel-Fort (France) follows a young jockey making
a name for himself on the track in Senegal.

Cryogenia by Jagoda Malanin (Poland) considers the geological period of Cryogenian through
photographs of small treasures chosen by her daughter and frozen into ice shapes, posing the
question of what we will leave behind us. Inspired by the comings and goings of a nearby garden
shop, Kechun Zhang (China Mainland) created The Sky Garden, a series of surreal images
depicting plants and rocks hoisted through the air by cranes. In La Visita, Carloman Macidiano
Céspedes Riojas (Peru) documents the different meals requested by inmates in a prison in northern
Peru, the images representing the tenderness, and affection of visiting families.

Following a journey deep into the forest, Sriram Murali (India)’s series Billions of Synchronous
Fireflies Light up a Tiger Reserve captures the dazzling sight of thousands of fireflies synchronising
their flashes. Meanwhile, Adalbert Mojrzisch (Germany) reveals the unexpected vibrant colours and
patterns of insects under the microscope in Small Backlit Animals. In Cities Gone Wild, Corey Arnold
(United States) tracks black bears, coyotes and raccoons across the United States, exploring how
these animals are uniquely equipped to co-exist with humans in urban environments.
The work of finalist and shortlisted photographers in the Professional competition was judged by:
Mariama Attah, Head of Exhibitions at Open Eye Gallery, Liverpool, UK; Tandazani Dhlakama,
Assistant Curator at Zeitz MOCAA, Cape Town, South Africa; Elisa Medde, Editor in Chief, FOAM
Magazine, Netherlands; Ioana Mello, Independent Curator and Photo Editor; Directing Member,
FotoRio, Brazil; Sujong Song, Senior Curator, National Museum of Modern and Contemporary Art
(MMCA), Republic of Korea; and Mike Trow, Independent Curator and Photo Editor and Chair of the

Commenting on behalf of the jury, Chair of the Jury, Mike Trow says: ‘Finding original and different
viewpoints photographically is challenging - but ever more rewarding as photographers embrace
global visual trends and at the same time explore their own culture and history. In 2023 we have
come up with another exciting and challenging set of competition winners from across the globe
and covering such a range of narratives...from bold takes on architecture to empowering
documentary work, daring portraiture and beautiful and heartfelt creative work. All categories
brought up a wide range of opinions from the experienced and respected jury members. They
covered the profound and ongoing discussions around narrative truth and agency in art, as well
as wider environmental, political and societal viewpoints. I hope those who get to see the work can
get a sense of why we chose what we chose and can see how photography talks to all of our own
personal experiences of life.’

The overall winners in the Student, Youth, Open and Professional competition of the Sony World
Photography Awards 2023 will be announced on the 13 April 2023 and will go on display as part of
the exhibition at Somerset House, London from 14 April-1 May 2023. For more information about
winners and shortlists please visit



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Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.


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