Nasher Sculpture Center Announces Nairy Baghramian as Winner of the 2022 Nasher Prize

Thursday, September 16, 2021
Nasher Sculpture Center Announces Nairy Baghramian as Winner of the 2022 Nasher Prize

The Nasher Sculpture Center announces Nairy Baghramian as the recipient of the 2022 Nasher Prize.

The Nasher Sculpture Center announces Nairy Baghramian as the recipient of the 2022 Nasher Prize. Now in its sixth year, the Nasher Prize is an international award for sculpture, established to honor a living artist who elevates the understanding of sculpture and its possibilities. Baghramian will be presented with an award designed by Renzo Piano, architect of the Nasher Sculpture Center, at a ceremony in Dallas on April 2, 2022.

The 2022 Nasher Prize Laureate Nairy Baghramian takes the creation and presentation of sculpture as her de facto subject yet makes works highlighting the poignant, contradictory, and sometimes humorous circumstances that can suffuse both the artistic process as well as everyday life.  Over the past three decades, she has explored elements of sculptural practice and installation to create works that challenge their settings and upend expected modes of presentation as well as the architectural, sociological, political, and historical contexts that inform them. 

The Nasher Prize jury deliberated virtually in June 2021 to determine the 2022 laureate, under the grip of a global pandemic and after a year of social distancing.

“This year, after a prolonged time of separation from people and places during the pandemic, the work of Nairy Baghramian stood out to the jury as exemplary for its consideration of the body, human relationship, and the built environment through sculpture that champions the often-overlooked objects, people, and experiences at play in daily life,” says Nasher Director Jeremy Strick.

“Baghramian’s visual language is rooted in traditions of sculptural form and shape,” says Nasher Prize juror, artist Phyllida Barlow, “but she transforms those traditions into profoundly personal relationships with diverse references—from the architectural to the anthropomorphic—where curvaceous, stretched, folded forms compete with linear structures, all delivered with Baghramian’s intensely researched and deft technical and material innovations.”

Baghramian has explored the relation of modeling, molding, and casting—interrelated elements of sculpture production involving positive and negative forms—throughout her career, and she consistently humanizes this largely mechanical process through overt or oblique references to the body.  Using an abstract vocabulary that often combines geometric and organic forms, as well as industrial materials and processes with elements that appear soft and supple, Baghramian highlights the subtle ligatures uniting disparate human activities. 

In the 2012 installation Retainer, Baghramian erected a semi-circular phalanx of barriers in the gallery, partially surrounding the viewer—impeding movement through the space even as it offered a kind of embrace.  As suggested by its title, Retainer’s amoeboid shields of cast silicone and polycarbonate, mounted on thin, polished aluminum supports recall the transparent plastic and wires of orthodontic apparatuses.  Baghramian elaborates these motifs in the series Scruff of the Neck from 2016, with more overt evocations of dental forms. Likewise, her recent work, Knee and Elbow, commissioned for the Clark Art Institute in Williamstown, MA, in 2020, suggests a monument to parts of the body that bend and often fail: arches formed of large sections of pink and white marble connected with polished stainless-steel fittings like enormous bones sutured back together with medical-grade steel pins.

Baghramian is the sixth artist to receive the Nasher Prize; previous winners are Michael Rakowitz (2020-21), Isa Genzken (2019), Theaster Gates (2018), Pierre Huyghe (2017) and Doris Salcedo (2016). The 2022 Nasher Prize jury that selected Baghramian is comprised of David Adjaye, architect; Carolyn Christov-Bakargiev, Director of Castello di Rivoli, Italy; Phyllida Barlow, artist; Pablo León de la Barra, Curator at Large, Latin America, Guggenheim Museum; Lynne Cooke, Senior Curator, National Gallery of Art; Briony Fer, Professor, History of Art, University College London; Yuko Hasegawa, Chief Curator, Museum of Contemporary Art Tokyo; Hou Hanru, Artistic Director, MAXXI, Rome; and Sir Nicholas Serota, Chair, Arts Council England.

The Nasher Prize Graduate Symposium—dedicated to the work of Baghramian and open to graduate students from around the world, studying in any field—will take place virtually from January 18 - 21, 2022. Presentation proposals will be accepted beginning September 20 through November 19. Students selected to participate will have their papers published in the annual Nasher Prize Graduate Student Symposium compendium which will be published in April 2022 in tandem with the award gala.

About Nairy Baghramian

Nairy Baghramian is a German citizen born in 1971 in Iran. She is a visual artist living and working in Berlin since 1984. Her work has been the subject of monographic exhibitions in an array of institutions, including GAM, Galleria d'arte Moderna, Milan (2021), MUDAM, Luxembourg (2019); Festival d’ Automne á Paris at École des Beaux-Arts (2018); Museo Reina Sofia, Madrid (2018); SMK, Copenhagen (2017); Walker Art Center, Minneapolis (2016); S.M.A.K, Ghent (2016); Museo Tamayo, Mexico City (2015); Museo Serralves, Porto (2014); the Art Institute of Chicago (2014); Serpentine Gallery with Phyllida Barlow (2010); Studio Voltaire London (2009); and Kunsthalle Basel (2006). Baghramian also participated at Venice Biennale (2019 and 2011); Yorkshire Sculpture International (2019); Documenta 14 in Kassel and Athens (2017); Skulptur Project Muenster (2017 and 2007); Lyon Biennale (2017); Glasgow International Festival of Visual Art, Scotland (2012); and the Berlin Biennale, Germany (2014 and 2008).

Baghramian was a nominee of the Hugo Boss Prize 2020 and has been the recipient of the Malcolm-McLaren-Award with Maria Hassabi (2019); the Zurich Art Prize (2016); the Arnold-Bode Prize, Kassel (2014); the Hector Prize, Kunsthalle Mannheim (2012); and the Ernst Schering Foundation Award (2007). Her works are held in institutional collections including the Museum of Modern Art, New York; San Francisco Museum of Modern Art, San Francisco, Solomon R. Guggenheim Museum, New York; Walker Art Center, Minneapolis; Tate Modern, London; MUDAM, Luxembourg; Tamayo Museum, Mexico City; Jumex Museum, Mexico City; and the Art Institute of Chicago. Upcoming solo exhibitions of Nairy Baghramian include Secession, Vienna AT, 2021; and Carré d’Art, Nîmes, France, April 2022. Baghramian will be the subject of a long-planned solo exhibition at the Nasher Sculpture Center, unaffiliated with the Nasher Prize, in fall 2022.

The 2022 Nasher Prize is generously co-chaired by Nancy Carlson and Adriana Pareles who help garner support for the prize and its attendant programs, including the Nasher Prize Dialogues.

 

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