Cindy Wright - Dead Poetry

Monday, August 27, 2018
Cindy Wright - Dead Poetry

Cindy Wright's hyper-realistic paintings, in which decay and transience are a leitmotif, will be combined with the creation of a new soundscape by the Dutch composer/lute player Jozef van Wissem.

Cindy Wright - Dead Poetry 

07.09-04.11

Cindy Wright's hyper-realistic paintings, in which decay and transience are a leitmotif, will be combined with the creation of a new soundscape by the Dutch composer/lute player Jozef van Wissem. Cindy Wright - Dead Poetry 07.09-04.11

Wright’s paintings look deceptively 'real'. In addition to a masterful representation of flowers, plants or insects, her work also carries an intrinsic ecological concern. 

Mortality and vulnerability have long been at the heart of Cindy Wright's work. She depicts flesh and fleshliness in a direct, almost brutal way. She is inspired by the 'nature morte', still lifes that occupy a prominent place in the history of Western painting.

But Wright's still lifes are more than that. They confront the visitor without moralising. They raise ethical and aesthetic questions about our contemporary society. How do we deal with death, transience and vulnerability today? What does it mean to be human? Where does the brutality of being human hide? What is our position with regard to the food (including animals) we eat? How do we treat the earth on which we live? What do we do or not do about it?

These themes form the core of the hyper-realistic paintings exhibited in Gaasbeek Castle. Where self-made photographs form the basis of her works, it is ultimately pure matter - the brush and the paint - that determines the appeal of her work. Visual connections between her paintings and the rooms of the castle turn this exhibition into an impressive balancing act.

ArtDependence WhatsApp Group

Get the latest ArtDependence updates directly in WhatsApp by joining the ArtDependence WhatsApp Group by clicking the link or scanning the QR code below

whatsapp-qr

Subscribe to the Newsletter

Image of the Day

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Search

About ArtDependence

ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.

ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.

The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.

If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.