55th CIMAM Annual Conference in Buenos Aires : The Co-Creative Museum: Social Agency, Ethics, and Heritage

Wednesday, April 19, 2023
55th CIMAM Annual Conference in Buenos Aires : The Co-Creative Museum: Social Agency, Ethics, and Heritage

55th CIMAM ANNUAL CONFERENCE IN BUENOS AIRES 9–11 November 2023 What is a co-creative museum? How can a museum activate and strengthen mutuality among its many component communities? When is it legitimate to speak about the collective creation of programmes, languages and tasks in an institutional context? Is the social a new museum mandate? What is the museum’s educational role in the production of knowledge and in the pedagogical and dialogical process? How can the construction and care of patrimony and heritage find a correlation in the relationships the museum fosters with its diverse communities? How can the museum engage with the social processes affecting our immediate communities?

55th CIMAM ANNUAL CONFERENCE IN BUENOS AIRES
9–11 November 2023
Museo de Arte Moderno de Buenos Aires, Argentina

What is a co-creative museum? How can a museum activate and strengthen mutuality among its many component communities? When is it legitimate to speak about the collective creation of programmes, languages and tasks in an institutional context? Is the social a new museum mandate? What is the museum’s educational role in the production of knowledge and in the pedagogical and dialogical process? How can the construction and care of patrimony and heritage find a correlation in the relationships the museum fosters with its diverse communities? How can the museum engage with the social processes affecting our immediate communities? ‘Co-creation’ is a term largely appropriated by the corporate sector, yet the participation in the reciprocal making of meaning is a fundamental task of the contemporary museum.

For the first time in CIMAM’s history, the Conference will focus on the social role of the art museum. This function lies at the natural heart of museum practices in Latin America, where many museums vigorously take up the mantle of responding to lesser developed economic contexts in which social disparity, inequality and discrimination are the order of the day. Cultural institutions in this region are highly experienced in collaborating with artists to position the arts as a vehicle for the development of the imagination, the expansion of concepts and forms of education, the production of communal and individual knowledge, and resistance to authoritarianism; in short, as a path of effective micropolitics towards concrete social transformation, community-building and the promotion of social justice.

The need to empower museums in a context of exponential vulnerability has today extended to the whole world: institutions can feel vulnerable over non-existent codes of governance and ethics, and their lack of clarity or effective application, or over insufficient financial resources that are either too weak to support operations in less developed contexts or too scarce to face the competition of the art market in the more economically advanced contexts. Museums that have been able to function and prosper in unfavourable conditions have a great deal to offer and a great deal to say. Furthermore, inequity in human and natural rights is a trait that has become widely visible during the Covid19 pandemic: gender, economic and religious forms of discrimination, racism and hatred are on the rise, challenging all parameters of stability. The current levels of distress in most societies demand that museums privileged enough to work with living artists are rising to the occasion to develop fast, flexible and effective responses and methodologies that can bring about social and educational micropolitical change by grounding the force of their actions in the diversity and intrinsic freedom of thought, expression and creativity that is at the heart of artistic practice.

This Conference will, transversally, address ethics, values and methods as three core concerns of museum practices today. We are interested in rethinking how we do what we do and in opening up dialogue. The Conference is hosted by Argentina’s dynamic artistic community against a backdrop of economic adversity, a community that has so much to say about how to do more with less and tirelessly turns to the arts as a vehicle for touching and transforming lives.

Image : Courtesy of the Museo de Arte Moderno de Buenos Aires. Photo : Guido Limardo

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Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

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