ArtDependence | Interviews

Article date: Wednesday, June 6, 2018

The Language of Art: An Interview with Joseph Kosuth

A foremost pioneer in Conceptual and Installation art, Joseph Kosuth is well-noted for the language-based artworks and appropriation techniques defining his oeuvre since the 1960s. Throughout his career, Kosuth’s practice has centered on the role of language and meaning within art.

Article date: Thursday, May 10, 2018

Presidential Museums and Libraries: Special Focus on the George W. Bush Presidential Library and Museum

ArtDependence Magazine has collaborated with some of the most renowned Presidential Museums and Libraries in the United States to learn about how they conserve and collect artifacts and objects of historical and scientific importance for research and public presentation.

Article date: Thursday, May 3, 2018

Light & Memory: An Interview with John Zurier

John Zurier’s abstract, nearly monochrome paintings are spare in form and substantial in presence. The true beauty of the works lies in their subtlety. Zurier’s pieces quietly demand that one looks and looks again to see all that is there - past the uniform tones of backdrop, the creases of canvas, the intention of marks and gestures, then pans back to the whole of what is there - to really see it.

Article date: Wednesday, May 2, 2018

An Interview with VOLTA Artistic Director Amanda Coulson

VOLTA, Basel's art fair for new international positions, debuted in 2005 as a collaboration between dealers and friends. The aim was to secure a platform for international galleries beyond young art stalwart Liste and market heavyweight Art Basel.

Article date: Tuesday, May 1, 2018

Presidential Museums and Libraries: Special Focus on the Jimmy Carter Presidential Library and Museum

According to Wikipedia, the definition of a museum is an institution that cares for (conserves) a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. ArtDependence Magazine has collaborated with some of the most renowned Presidential Museums and Libraries in the United States to learn about how they conserve and collect artifacts and objects of historical and scientific importance for research and public presentation.

Article date: Wednesday, April 25, 2018

Great Expectations: An Interview with Bridget Donahue

From the moment she introduces herself, Bridget Donahue is genuine and unguarded. Her manner is a stir of warmth, directness and acuity - she is the confidant you would call for honest advice. When an aspiring artist unexpectedly stops by the gallery to meet her, they readily ease into an amiable exchange.

Article date: Saturday, April 21, 2018

Statelessness, Collapse and Transformation in Richard Stone’s Work – An Interview with the Artist

Richard Stone is a multi-disciplinary artist whose practice transcends both painting and sculpture and has also included installation and performance. He works between London and Pietrasanta, the centuries old home of Italian marble carving, where it is believed that Michelangelo travelled from Florence to buy the marble for David.

Article date: Monday, April 16, 2018

The Spaces in Between: An Interview with Silvia Bächli

When the Barbier-Mueller Museum offered Swiss artist Silvia Bächli the opportunity to curate its next exhibition, she conceived of the experience as a creative occasion for dialogue between the museum’s artifacts and her drawings.

Article date: Wednesday, April 4, 2018

Intention & Ephemerality: An Interview with Bradley Eros

Spend five minutes speaking with Eros and you are convinced that he is one of those rare individuals, so consummately creative and interested in the farthest reaches of the arts, it is nearly impossible to imagine him as anything other than an artist. Working in film, video, collage and performance, Eros has created a name for himself as a boundary-breaker across mediums since the 1980s.

Article date: Sunday, April 1, 2018

"I like art that makes you think." An Interview with Semеn Kantor, Director of Museum of Odessa Modern Art

The Museum of Odessa Modern Art sets a goal to preserve artefacts of Odessa non-official art from the last decades of the Soviet power as well as new Odessa art during its origin and development stages in modern Ukraine.

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Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

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About ArtDependence

ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.

ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.

The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.

If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.