ArtDependence | Flanders / Netherlands

Article date: Friday, June 14, 2019

Luc Tuymans Back at De Pont this Summer

In 1995 De Pont Museum held the first exhibition of work by Luc Tuymans in the Netherlands. This summer the now world-famous Belgian artist will be coming back to Tilburg with a second retrospective, which he has aptly titled The Return.

Article date: Tuesday, June 4, 2019

Martijn van Nieuwenhuysen to be the New Director of De Pont Museum

Martijn van Nieuwenhuyzen will be the new director of De Pont Museum in Tilburg. As of 26 August he will succeed Hendrik Driessen, De Pont's founding director who has been running the museum for thirty years. Van Nieuwenhuyzen has a great deal of museum experience, is a versatile exhibition maker and has a reputation for scouting young talent.

Article date: Saturday, May 25, 2019

Two Paintings in the Netherlands Art Property Collection Back to Heirs of Jewish Owner

The Restitutions Committee has advised the Minister of Education, Culture and Science to restitute two paintings in the Netherlands Art Property Collection to the heirs of the original Jewish owner Jacob Lierens. The Minister has accepted this advice. The Netherlands Art Property Collection (NK collection) comprises artworks that were returned after the Second World War and were taken into the custody of the Dutch State with the express instruction to return them – if possible – to the rightful claimants or their heirs.

Article date: Thursday, May 23, 2019

Empowering statues. Every statue tells a story

It’s not sheer chance that great historical art centers such as Venice, Amsterdam and New York all became important commercial centers at around the same time. That is also part of Antwerp’s story. Antwerp is world renowned for its diamonds, its port, its fashion mecca as well as its international art center. In 1600 its Golden Age came to an end and a young Rubens walked through its streets.

Article date: Monday, May 20, 2019

Flemish Politicians about Art and Culture

ArtDependence Magazine is based in Antwerp, Flanders, where a regional election is about to take place. We asked the key players in the election to share their views on art and culture and to tell us when they last visited a museum. We also asked what they would be doing for art and culture if they win the elections.

Article date: Wednesday, May 1, 2019

Relatives Contact the Stedelijk: The Full Story Revealed Behind the Painting Working-Class Woman by Charley Toorop

It is one of the most popular artworks in Stedelijk Base: the painting Working-Class Woman (1942-43) by Charley Toorop. On the right, in front of a crumbling wall sits a woman, gazing straight ahead, her hands in her lap, a menacing sky and charred buildings in the background. But the Stedelijk knew very little about who the identity of the woman in the portrait.

Article date: Thursday, April 25, 2019

After Eighteen Years, the Founder and Director of Foam, Marloes Krijnen, is to Stop Doing ‘the Best Job Ever’

‘This is a job that demands a huge amount from you,’ she declared. ‘Before too long I will be sixty-five and I want to start on a new phase of life. So I’ve decided to give up the best job ever as of 1 September this year.’ From that date onwards, Foam will have two directors, with Marcel Feil as artistic director and Nynke de Haan as managing director.

Article date: Monday, January 21, 2019

The Secret to Rembrandt’s Impasto Unveiled

Rembrandt van Rijn revolutionized painting with a 3D effect using his impasto technique, where thick paint makes a masterpiece protrude from the surface. Thanks to the ESRF, three centuries later an international team of scientists led by the Materials Science and Engineering Department of TU Delft and the Rijksmuseum have found how he did it.

Article date: Thursday, December 27, 2018

Signal or Noise. The Photographic II

S.M.A.K. presents the second part of The Photographic, a two - part exhibition that applies an expanded notion of photography, from medium to mentality. Whereas the first part, ‘Other Pictures’ (2017-18) examined the power of the still image, ‘Signal or Noise’ takes a diametrically opposite perspective: our gaze is turned inward and the camera becomes a metaphor for the mechanical, partly non - visual processes that underpin our visual culture.

Article date: Wednesday, December 19, 2018

Gemeentemuseum Den Haag to Become Kunstmuseum Den Haag

From autumn 2019 Gemeentemuseum Den Haag will be known as Kunstmuseum Den Haag. The new name will make it clear that the museum is the leading venue for modern, contemporary and decorative art in The Hague.

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Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

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About ArtDependence

ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.

ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.

The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.

If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.